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- Shakespeare's Hamlet in Twentieth-Century Spanish Poetry!
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In he emigrated to France. He wrote The Origin of the Spanish Theater —21; Russian abridged translation, , in which he traced the development of the Spanish theater from the 14th to the 17th centuries.
El sí de las niñas by Leandro Fernández de Moratín, Paperback | Barnes & Noble®
His comedies combine the Enlightenment principles of French classicism with elements of classical Spanish drama. Madrid, Vida y obras de D.
Leandro Fernandez de Moratin. Ruiz Morcuende, F. Vocabulario de don Leandro Fernandez de Moratin, 2 vols.
Obras de D. Leandro Fernandez de Moratin, Tomo II - Scholar's Choice Edition
Papell, A. Palma de Mallorca, Entrambasaguas, J. References in periodicals archive?
El siglo XIX es mas complejo: podemos destacar, por ejemplo, la incorporacion de este texto a la critica literaria estadounidense, que lo asume mas como texto historico y, en mucha menor medida, como texto literario. Academic journal article Bulletin of Hispanic Studies.
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Hamlet was also the subject of the first critical essay on Shakespeare by a Spaniard: the study of Shakespeare's tragedies by Manuel Herrera Bustamante, member of the Spanish parliament until and, at the time, exiled in London. It was Hamlet too that, at least up to , became the most frequently mentioned and discussed play by Shakespeare within Spanish literary criticism Pujante and Campillo xx; Pujante and Gregor Yet, the popularity of Hamlet in Spain could not rival that of other Shakespearean tragedies such as Othello or Romeo and Juliet, as Hamlet was scarcely read and performed until the last third of the nineteenth century.
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By , Hamlet had been performed in Madrid only four times in , , and and in Barcelona just once in and in Italian, by the Italian company of Ernesto Rossi. Though his poetical tastes were early developed, his father apprenticed him to a jeweller. He was appointed secretary to Cabarrus on a special mission to France in On his return to Spain, Moratin was tonsured and presented to a sinecure benefice in the diocese of Burgos, and in his first play, El Viejo y la uifia, was produced at the Teatro del Principe; Owing to the opposition of the clerical party, it was speedily withdrawn.
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From England he passed to the Low Countries, Germany, Switzerland and Italy, and on his return to the Peninsula in was appointed official translator to the foreign office. It was followed in by La M ogigala, written between and' This piece was favourably received, and an attempt to suppress it on religious grounds failed.